‘Ice Age: Continental Drift,’ With Ray Romano
Blue Sky Studios/20th Century Fox
By A. O. SCOTT
Published: July 12, 2012
Fans of 20th Century Fox animation, you have
cause to rejoice. A charming 3-D cartoon arrives in theaters on Friday,
witty and touching and marvelously concise, part of a series that has
managed to stay fresh and inventive after many years in the pop-culture
spotlight.
There is one catch, though. If you want to
see this little picture — a four-and-a-half-minute dialogue-free delight
called “The Longest Daycare,” in which Maggie Simpson stands up for
what’s right at a preschool named after Ayn Rand — you must also buy a
ticket to “Ice Age: Continental Drift.”
The Simpsons
short cleverly blends the bright-colored flatness of the television
show with the gimmickry of 3-D. It also upholds (more than the TV series
itself) one of the golden rules of animation: no talking. With the
important exception of Scrat — the obsessive rodent whose Sisyphean
pursuit of an acorn is one of the great love stories of our time — the “Ice Age”
movies go in the opposite direction. They come close to inspiring a new
theory of prehistoric extinction: All those species clearly died from
the hot air that gathered in the atmosphere as a result of their
inability to shut up for even a minute.
The principle guiding the “Ice Age”
franchise seems to be that you can’t have too many celebrity
voice-overs. This is not entirely unpleasant. During the “Continental
Drift” end credits (if you can endure a dreadful song about how we’re
all one big happy family), you can match various animals with their
human impersonators.
Drake and Nicki Minaj
are mammoths, part of a cool-kid pack that supplies this plot-stuffed
adventure with its teen-movie subplot. Wanda Sykes — no mistaking her
voice — is the elderly sloth who provides genuine comic relief amid a
lot of forced jollity. And that villainous pirate primate whose diction
you spent nearly 90 minutes trying to identify (or maybe that was just
me)? Peter Dinklage! Six-year-old “Game of Thrones” fans will be giddy with joy.
You want more? Aziz Ansari! Joy Behar! Patrick Stewart! Also John Leguizamo, of course, returning as the sloth equivalent of Eddie Murphy’s “Shrek” Donkey.
As you may have gathered, there is a lot
going on here. Visually, there is quite a bit of slipping and sliding
and falling and careening in a landscape of jagged rocks, spiky ice
floes and state-of-the-art computer-generated water.
The Blue Sky animation studio’s house style
is enjoyably antic, with a playful but never sloppy disregard for the
laws of physics. An early sequence in which Scrat accidentally causes
the breakup of the earth’s single landmass sets a high mark for
cleverness that the rest of the film sometimes tries to match. Among the
busy, chaotic set pieces, a few stand out, notably a haunting and
absurd encounter with shape-shifting sirens who lure mariners to their
doom.
Mariners? In the Pleistocene era? The
problem is not that “Continental Drift,” directed by Steve Martino and
Michael Thurmeier from a screenplay by Michael Berg and Jason Fuchs,
takes liberties with the scientific record. (The movie makes fun of a
previous episode’s use of dinosaurs, which never coexisted with
mammoths.) The problem is that its sense of fun is essentially
parasitic. Those pirates, those cool kids, that mass of cute, squeaky,
nonverbal creatures (hamsters? chipmunks?) — all of them try to
entertain you by reminding you of things you’ve seen before.
And the stories — again, with the heroic and
necessary exception of Scrat, a character with whom I identify perhaps
more than is healthy — are warmed-over hash. Manny (Ray Romano) and Ellie (Queen Latifah)
must deal with the adolescence of their daughter, Peaches (Keke
Palmer), who must learn a lesson about true friendship and being
yourself. Diego the saber-toothed tiger (Denis Leary) falls into a love-hate romance with a feisty female named Shira (Jennifer Lopez). Also, Manny must rescue his family from disaster and fight off bad guys.
It may be too much to expect novelty — then
again, why shouldn’t we? — but a little more conviction might be nice.
“Continental Drift,” like its predecessors, is much too friendly to
dislike, and its vision of interspecies multiculturalism is generous and
appealing.
But it is not my impression that the “Ice
Age” movies have inspired the kind of devoted affection that clings to
some other recent animated entertainment. Which may make it a bit cruel
of Fox to lead with that instantly, durably lovable Simpsons short.
“Ice Age: Continental Drift” is rated PG (Parental guidance suggested). Danger and fighting.
Ice Age
Continental Drift
Opens on Friday nationwide.
Directed by Steve Martino and Michael
Thurmeier; written by Michael Berg and Jason Fuchs, based on a story by
Mr. Berg and Lori Forte; music by John Powell; produced by Ms. Forte and
John C. Donkin; released by 20th Century Fox. Running time: 1 hour 27
minutes.
WITH THE VOICES OF: Ray Romano (Manny), John
Leguizamo (Sid), Denis Leary (Diego), Jennifer Lopez (Shira), Queen
Latifah (Ellie), Seann William Scott (Crash), Josh Peck (Eddie), Nicki
Minaj (Steffie), Drake (Ethan), Peter Dinklage (Captain Gutt), Aziz
Ansari (Squint), Joy Behar (Eunice), Patrick Stewart (Ariscratle), Wanda
Sykes (Granny), Keke Palmer (Peaches) and Kunal Nayyar (Gupta).
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